With his aptly named brand new genre-transcending album of Cullahsus, Cullah takes us back to his roots (Well, as “roots” as it gets for a 27-year-old who has already released 12 albums). His powerful voice, funky beats, and that Milwaukee melodic spirit that never left now accompanies every song. Budgeting his food solely from the small amount money he makes from Spotify since he has refused to fully commercialize his music; he declares his resolute spirit through “King Jebediah (The Falcon Messiah)”. The themes infused the album are a lack of control of circumstances to a larger benevolent beast. In Cullah’s case, King Jebediah seems to be the music itself that he creates and is provided by.
This is the first year that he has been able to concentrate his efforts solely on creating his music. Unhindered by other responsibilities, in “Hurrycane” and “Helios 3” he seems to be both overwhelmed and liberated in the storms and boundless space of creativity. Despite these new joys and pains, a bit of the previous “Cullahmity” album influences “Cullahsus”. A heartbroken Irish trill echoes in “The Grief of Ceridwen” illustrating the loneliness that comes with the freedom expressed in his other songs.